Picnic in the Garden

Picnic in the Garden (2006) by Delia Prvacki

First exhibited at Fort Canning in 2006 by the artist as part of the Plein Air outdoor multi-venue exhibition of large-scale sculptural works. Picnic in the Garden is inspired by Édouard Manet’s Le déjeuner sur l’herbe (The Luncheon on the Grass) and invites viewers to picnic and reflect on their position in nature within an urbanised environment.

The use of Glassfibre Reinforced Concrete (GRC) demonstrates Delia’s experimental approach in pushing the boundaries of the artistic use of ceramic materials. Her Plein Air series originated from a technical breakthrough in glazing, which she developed after completing a collaborative project with her husband, painter Milenko Prvacki, in 2002 for their ground-breaking murals Interchange at Dhoby Ghaut MRT.

To protect the base of the artwork, a novel mixed-design material incorporating nanotechnology and nanomaterials such as graphene oxide is applied to the bottom structure. Developed by the NUS Centre for Advanced 2D Materials, the material preserves the artwork from water and chemical exposure, to protect old structures without the need for demolition, creating a more sustainable ecosystem. The artwork demonstrates NUS’ approach to interdisciplinarity, in which the curator, artist, conservator, material scientists, engineers and students, work together to explore the multiple needs of the sculpture, from relocation, to care and conservation.

Feel free to sit on the artwork and create your own Picnic in the Garden!

Installation works at UTown Green

Delia Prvacki

Artist

Delia Illesiu Prvacki is a Romanian-born and Singapore-based artist who graduated from the Bucharest Institute of Fine Arts in 1975 with a master in applied arts. Subsequently, she moved to former Yugoslavia to practice and received numerous awards including the Special Award and Critics Award (1981) at the Yugoslav Triennial of Ceramics, and the Annual Art Award (1982) by the Serbian Association of Applied Artists. She relocated to Singapore in 1991 with her family.

 

Since the early 80s, Delia’s work has focused on establishing a new vocabulary and significance for the sculptural medium, grounded by a constant experimentation with new technologies, mixed techniques, and the endless modalities of expression in ceramics.

 

Having moved to Southeast Asia in 1991, the experience of a radically different natural surrounding and cultural environment have generated new subject matters — in particular the need to respond to dilemmas posed by modern urban society. These accumulated experiences have but moulded and reaffirmed her choice to work predominantly with ceramic, and to re-examine its boundless potential.

 

Delia is widely recognised for her major public projects which have been a focal point in many urban areas and institutions. Her work is also in the permanent collections of Museum of Modern Art and Museum of Applied Arts, Belgrade, Serbia, Museum of Ceramics, Porvoo-Borgaa, Finland, Singapore Art Museum, NUS Museum, Terra sculpture park, Serbia among others.